WALL-E, an early model robot designed for allocating waste, is the most soulful, lovable non-human to hit film since E.T., thanks to his expressive and soulful android eyes. In this case, the cliché is correct in its assertion that eyes are the windows to the soul, with WALL-E's being a pair of mechanical doe peepers which reveal the layers of the sweet and sensitive droid’s soul. In WALL-E, Pixar’s animation genius is combined with Disney's knack for humanizing storylines. It's the year 2700 and the title character toils alone on abandoned planet Earth, packaging, sorting, reusing and recycling trash dropped on his doorstep by humans who've sought refuge elsewhere. Plants and lush greenery are a thing of the past and a bug serves as WALL-E's sole friend. For the most part, the film contains a trim amount of dialogue. Perhaps that’s why WALL-E’s eyes are so vivid; they speak volumes, whereas he doesn’t. The machine's rusty parts look as if they were manufactured over two

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