Slick effects and steady-cam shots are replaced with uneven lighting and somewhat jarring camera moves more commonplace in home movies, but in Lynchs hands, it never feels amateurish. Its an experience that resides somewhere between a fictional movie and a one-man documentary. Its cinema for a new age. Although the confrontational avant-garde aspects of IInland EmpireI will deter the majority of the movie-going public, its a film that will rekindle the hope of important cinema in those who have come to feel that cinema is dead.

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