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Tyler Pursel, keyboardist for the Gym Class Heroes indulges his love for Cyndi Lauper and the Postal Service with a sugar-coated, dance-happy album of electronic squiggles and bleeps.
It's a short album but one which would leave one smiling in a happy stupor.
Members of the Mamas and the Papas and the Lovin' Spoonful play some pleasant pop folk music.
Sixteen albums and 30 years into their genre-bending, expectation-confounding career, the Mekons turn the volume down, break out the wooden instruments and craft haunting, bone-clinking songs about mortality.
The Mendoza Line's final album, couple with a disc of odds 'n' sods, is a solid note to end on, though not their highest.
Ambitious, deliriously unfocused, and nowhere near as self-important and precious as you'd think, Orchard & Ire is nuts enough to work.
The Gaslight Anthem aren't the first band to hold up New Jersey's ultra-suburbanism with pop-punk pride.
Hard to pigeonhole but easy to appreciate, Through the Sparks are a bright star ready to shine for the right audience.
World Party fits in perfectly with Putumayo's canon and its commitment to multiculturalism.
With their first full-length, Foreign Born show more polish than most young bands, and nearly cash in on all their talent.
On the other hand, Zeth Lundy thinks the Canadian collective's surprisingly docile fourth album is rather like an engine idling.
The Cape May's layered mood rock grows on you just about as slowly as its down-tempo selections trod on throughout this album.
I can see Nine Lucid Dreams playing in St*rb*cks and being enjoyed by people with less severely idiosyncratic taste than myself.
Big Old Life may be clean and composed, but that doesn’t mean it isn’t a fun listen.
The tandem of Reid Johnson and Kathyrn Johnson pull off harmonies that would fare well compared to the likes of Luna, as Schooner rarely straddles from what works.
On her debut, Michele's voice is fitted to production that simply does not compliment her style.
The second album from ex-Mercury Rev keyboardist Justin Russo displays an improved comprehension of gripping country and chamber-pop intentions with a large slew of melodic hooks.
