Filed under: Celebrities and Controversy, Newsstand

The always-enjoyable Dennis Farina was arrested when a loaded gun was found in his carry-on luggage at Los Angeles International Airport on Sunday. Farina, who's best known for being awesome in everything, was caught with a .22-caliber handgun in his briefcase. The actor claimed he forgot he had it on him when bail was set at $25,000, but then raised to $35,000 when cops learned the gun wasn't registered. 1) How do you accidentally forget that you have a loaded gun in your briefcase? 2) Why are you carrying around a loaded gun that's not registered? 3) Are there a lot of people out to get Dennis Farina -- so much so that he has to bring an unregistered loaded gun to the airport?

And when the airport security asked Mr. Farina if he was traveling with a gun in his briefcase, did the actor turn and deliver one of his trademark replies? "You kiddin' me? What? I can't carry a f**kin' gun in this country anymore. Look, Idiot #1, tell Idiot #2 that I'm Dennis F**kin' Farina and I can do what I want. You gots?"

Speaking of ... we need to get Midnight Run on Blu-ray. Can somebody make that happen? They were smart enough to stick that sucker on HD-DVD, but I want to watch one of my favorite comedies ever on Blu-ray, like, now. And then I want them to include a commentary track from Farina, and I want him to talk about getting arrested in an airport with a loaded gun. I'd love to hear what that sounds like.

Sound off ... your favorite Dennis Farina role? (For me, it's a toss up between Midnight Run and Get Shorty.)

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Filed under: Classics, Independent, Romance, Casting, RumorMonger, Fandom, Newsstand

Before we Bronte devotees could really whine and cry about the casting (there's still Ellen Page in Jane Eyre for that), it ceases to be. According to Variety, Natalie Portman has dropped out of the upcoming Wuthering Heights, leaving the film rather lost without a Cathy Earnshaw. According to Portman's publicist, the actress had a scheduling conflict with another project, which has not yet been announced.

So now, Ecross executives and director John Maybury are on the hunt for a new Cathy. As of yet, there are no contenders to the role, so now is our chance! Speak up, Cinematical readers, and let us flood the Internet with suggestions. Personally, I want to go back in time and import teenage Kate Winslet, Helena Bonham Carter, Kate Beckinsale or Lena Headey. As I cannot, I'm at a bit of a loss. Keira Knightley merits exclusion because of having played Elizabeth Bennett, and I think there's a rule that you can only play one standard of English Literature. I'm being rather stuffy in looking only to the UK, but nothing could ruin this movie faster than a wonky accent.

Interestingly, we finally have a name for Heathcliff. According to the Variety article, Michael Fassbender is in advanced talks to play the famous heinous, yet oh-so-sexy hero. I have only seen him as Stelios in 300, but he's getting good buzz for Hunger. Count me in the "intrigued, and not opposed" category, I guess, until further notice. His casting will mean my sister will be first in line for a ticket, that's for sure.

We can still whine and cry about the casting, though. It is our right as Internet film geeks, and ones with Gothic tastes. Oh heck, let's just gush about the book! We'll have our own Bronte Day here.

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Filed under: Action, Box Office, Fandom, Family Films, Movie Marketing, Monday Morning Poll

Ever since the numbers were released yesterday, anyone and everyone (as well as anyone who is everyone) has been talking Speed Racer -- specifically, how a $120 million Hollywood blockbuster could open with only $20 million at the box office. You can blame Iron Man, you can blame the marketing, you can blame the blogs for trashing the film all year long, you can blame Christina Ricci's weird haircut, or you can blame that judge on Project Runway for saying, "You can never have too much color!" Fact is, it missed the mark.

But what could've helped Speed Racer make more money in its opening weekend? The running time has been mentioned a lot in the past 24 hours, but a running time doesn't exactly woo audiences into the theater. Is the film's marketing 100% to blame? Should the trailers have been cut differently? Should they have stressed that this was a film for kids? Should they have added a little viral action into the mix? Or what about overall? From the beginning, were the Wachowski Brothers the right folks for the job? Should they have gone the animated route instead -- or maybe the animated 3-D route? Should they have made this a film for older kids; slap on a PG-13 rating?

In your opinion, what could've helped Speed Racer -- both in its opening weekend and in its development as a feature film?

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Filed under: Action, Sci-Fi & Fantasy, Deals, Newsstand, Comic/Superhero/Geek

It's always the comic book chicks you don't expect. Variety has announced that Platinum Studios, Top Cow Production and Arclight Films are teaming up to bring Top Cow's Witchblade to the big screen. No word on who will direct, or star, but production is expected to take place in Australia, starting in September. So expect a bunch of announcements on that front soon.

Witchblade has had a surprisingly long lifespan -- it has been a best-selling comic book series with Top Cow since 1995, but most people remember the TNT television show which ran for two seasons. The story centers on a mystical, jewel-encrusted gauntlet that gives extraordinary powers to the chosen wearer -- and that is always a specially chosen female in each generation. It also has the power to, apparently, magically remove all your clothes as seen to the right. (Something missing from the television show.)

I know I should be all "Yeah, this is exactly what I was talking about -- comic heroines!" but it really isn't. If done right, maybe, but she's hardly what I was hoping for. While the Witchblade concept isn't any goofier than admantium claws or eating the sun, I saw it as silly, and never warmed to it. Maybe it's because I have never really understood Top Cow's line of comics. All of my guy friends always say "You're awesome because you don't read those!" I never understood that either, because while they do specialize in kickass women like Witchblade and Tomb Raider, I never thought they were really written for chicks because of all the T&A. I always feel kind of funny reading them. (Yes, I've read them. What my guy friends don't know when they praise me is that I have many issues of Tomb Raider hidden away. Well, I guess they know now. Oh well!)

Continue reading 'Witchblade' Coming to the Big Screen

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Filed under: Drama, Newsstand, Dreamworks, Steven Spielberg, War

While doing publicity rounds for a certain fedora-wearing adventurer, Steven Spielberg told German magazine FOCUS that he intends to return his focus to his long delayed biopic of Abraham Lincoln.

According to Variety, Spielberg is shelving the Aaron Sorkin-scripted Trial of the Chicago Seven because he is dissatisfied with the script, and could not get the rewrites he wanted due to the WGA strike. Though that is over, it apparently needs some development time not even Tintin will provide.

And yes -- Tintin is still scheduled to begin shooting in early fall, though we still are lacking any casting confirmations. Spielberg says the actor's strike will not delay it, because the film is motion capture.

But back to the Lincoln biopic! It has been kicked around so long that Spielberg's decision is almost a nonevent, but it is still all kinds of exciting because it could begin shooting early next year. Liam Neeson is still attached and has been for the past three years, reportedly amassing research all this time. It will still have that Tony Kushner script, and it is still based on The Uniter: The Genius of Abraham Lincoln, the brilliant biography by Doris Kearns Goodwin.

I really want this to finally come together. Neeson is due for another meaty role like Abraham Lincoln, and there has never been a proper movie made about such an iconic figure. Actually, I don't really think there has been a movie that truly dug into the Civil War, not in the way that can really attract and educate an audience. If anyone is up to the challenge, it's Spielberg.

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Filed under: Action, Box Office, Newsstand, Comic/Superhero/Geek

According to early estimates from Box Office Mojo, this summer's second big-budgeted extravaganza failed to pick up more than $20 million at the box office this weekend, with the poorly-reviewed comedy What Happens in Vegas finishing right behind in third. Of course, Iron Man took the top spot for a second week in a row with roughly $50 million, while Speed Racer -- which some projected to take home at least $30-40 million -- came in second with $20.2 million, as What Happens in Vegas slid into third with $20 million. Rounding out the top five were Made of Honor ($7.6 million) and Baby Mama ($5.7 million).

So what happened to Speed Racer? Part of the reason had to do with its targeted audience, which, supposedly, was kids, though kids weren't very familiar with the cartoon the film was based on. That, and the flick clocked in at over two hours -- a running time that's been mentioned a lot this weekend, as well as one that's way too long for a PG-rated kiddie adventure. That said, its PG-rating scared away those adults who grew up with the cartoon; people who, most likely, were looking for something a bit more skewed toward adults (especially when Iron Man came out the weekend before and kicked a whole lot of ass). Nevertheless, I'm pretty sure we can rule out that Speed Racer franchise at this point.

Coupla questions for ya: Why do you think Speed Racer failed to power across the finish line in spectacular fashion? Also, what happens to the Wachowski Brothers now? Will folks think twice before giving them $150 million and free reign?

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Filed under: Action, Drama, Thrillers, Deals, Mystery & Suspense, Lionsgate Films, Newsstand, Comic/Superhero/Geek

Remember the days when FBI profilers hunted serial killers the old fashioned way, assisted by their fellow law enforcement officers? But ever since Clarice Starling had to go and enlist the help of Hannibal Lecter, now it is just standard protocol to pair up with a serial killer.

Deal with the Devil is the latest version of that tale -- except this one is a comic book by Mark S. Miller. According to The Hollywood Reporter, it's just been picked up by Lionsgate. The story follows FBI Agent Anthony Goodwin, a legendary manhunter until his final case. The killer he was after, Kevin Runyan, turned the tables and became his hunter. He loses his career and his suspect -- who turns up four years later, asking for his help. Goodwin must decide whether to help the man stop a dangerous copycat killer.

Continue reading Lionsgate Making a 'Deal with the Devil'

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Filed under: Action, Horror, Sci-Fi & Fantasy, Deals, Universal, Newsstand, Games and Game Movies

This news has the gaming world all a-flutter. Variety announced today that Gore Verbinski is taking the director's chair for the big screen adaptation of Bioshock. Universal has the rights to the video game adaptation, which Verbinski will direct and produce. John Logan will write the screenplay, and Verbinski plans to jump into pre-production as soon as it is finished and approved.

Bioshock was a hugely successful game, winning numerous awards and making a movie inevitable. And Take-Two Interactive, Bioshock's publisher, is so determined to see it onscreen that they structured the deal to make Halo like failure impossible.

Continue reading Gore Verbinski to Direct 'Bioshock'

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Filed under: Classics, Drama, Horror, Independent, Sci-Fi & Fantasy, Thrillers, Deals, Celebrities and Controversy, Newsstand

It sounds like a prank. We would all like it to be one. But it seems to be legit.

The story comes from Screen Daily, who reports that S. Darko is being shopped around, with Fox already picking up the North American distribution rights. Touted as the sequel to the 2001 cult hit, the story picks up seven years after Donnie Darko left off. The youngest Darko, Samantha, is now 18 and abandoning her commitment to Sparkle Motion. She heads to Las Vegas with her best friend Corey, but the two are plagued with bizarre visions. I imagine they will involve a rabbit.

Richard Kelly, the original director, is in no way involved. Chris Fincher will direct instead. Daviegh Chase, who played Samantha in the original, will reprise her role. It looks like she is the only one. The movie also stars Ed Westwick, Briana Evigan, and Justin Chatwin.

As to the big looming question of why, oh God, why, Simon Crowe of UK sales company Velvet Octopus says they're thinking of the children. "I think there is a new generation of cinema-goers who will be very excited to see this film."
Which generation came of age between 2001 and 2008? Why haven't they rented Donnie Darko? I am afraid these are questions to which Crowe has no answers. But he did quip, "Donnie's not in [the new film] but there are meteorites and rabbits."

Nothing is safe from the all mighty dollar, my friends. Nothing. Even when there is a pretty conclusive ending, there can always be a sequel. I'll leave you to think about that as I go pen my script for No Country for Old Men 2.

[via Empire]

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Filed under: New Releases, Movie Marketing, Cinematical Seven, Columns

Whether or not shows like Aqua Teen Hunger Force or The Simpsons succeeded in translating their television dynamics to the big screen depends on your point of view, but the release of Speed Racer this weekend raises a more specific question about the viability of turning an animated series into a live action spectacle on the big screen. The Adventures of Rocky and Bullwinkle and Underdog both suggest how this goal can go wrong -- namely, by imploding on its absurd conceits. You may disagree with the inclusion of some of the following titles, all of which culled their material from animation, but it's fair to say that each of them takes its subject matter at face value, allowing the natural ingredients of the original sources to remain intact. Well, maybe not Super Mario Bros., but that one is a special case (fire away, if you must). Until somebody makes an Animaniacs movie with real actors, I'm sticking to this list.

1. Popeye (1980)

Robert Altman's offbeat ode to the famous Fleisher cartoon starring the spinach-eating strongman and his darling Olive Oil is the great misunderstood work of the director's career. Robin Williams and Shelley Duvall manage to bring utterly ridiculous characters into a realm of believability that you could never imagine when watching the show. Suddenly, Popeye made sense -- goofy, almost surreal sense, but sense nonetheless -- in the real world. Thanks to veteran adult cartoonist Jules Feiffer's screenplay and a soundtrack so catchy Paul Thomas Anderson borrowed from it twenty years later in Punch-Drunk Love, the classic status of Popeye can't be denied.

Continue reading Cinematical Seven: When an Animated Series Goes Live Action ... and Gets it Right

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Filed under: RumorMonger, Newsstand, Politics

I think it's kind of funny that in Eugene's post about T4's start date, he says: "barring some Terry Gilliam-scale disaster." I wonder if the disaster could be a long and arduous SAG strike? The New Zealand Herald (Reuters) pointed out today that the production is moving on despite the distinct possibility that the movie industry could get hit with another strike very soon.

Right now, the SAG contract expires on June 30, which could very easily become the start of another strike. (Union leaders say they hope to reach an agreement, and of course they do -- but that doesn't mean they'll get one.) Nevertheless, Terminator Salvation: The Future Begins has started filming in New Mexico this week, throwing caution to the wind.

But this doesn't mean they'll speed through it. A source told Reuters there is no intention to finish production by June 30, and that legal precautions have been taken in case the strike happens. But still -- stopping for an undisclosed period of time right in the middle of production is very far from ideal.

It seems a bit cocky to me, to go forward now rather than waiting, but what do you think?

Should T4 be moving full steam ahead regardless of the strike? Or, is this just a careless or cocky move?

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Filed under: Action, Sci-Fi & Fantasy, Deals, Fandom, DIY/Filmmaking, Newsstand, Comic/Superhero/Geek, Remakes and Sequels

There's all sorts of madness going on at Marvel right now in the wake of Iron Man's ridiculous opening weekend. Marvel's Kevin Feige was promoted to God and now it's time to start looking toward the future. While we await the release of Marvel's second self-financed flick (The Incredible Hulk) later this summer, The Hollywood Reporter tells us Matthew Vaughn is no longer directing Thor (currently scheduled to arrive in theaters on June 4, 2010, not July 4 as previously reported -- unless HR made a typo). According to HR, Vaughn's holding deal expired. In the meantime, Marvel is waiting for a script polish from writer Mark Protosevich (I Am Legend).

On what we should expect from Thor, Feige says, "It's very much a Marvel superhero story but against the backdrop of nothing you've seen before. " He then described the flick as a "period fantasy in the vein of The Lord of the Rings." Sounds pretty cool to me. Who do you think they should get to direct Thor? Heck, why not throw Peter Jackson on it -- I'm sure fans would freak over that one.

Additionally, and this is just a rumor right now, HR also claims that Hulk might be featured in Iron Man 2 (due out April 30, 2010). They don't go any further than that except to say we should expect cross-referencing in all these films now that Marvel has control over the movies its characters are in. However, one thing's NOT for sure right now -- and that's Robert Downey Jr.'s participation in the Iron Man sequel. He's signed on, but HR says Marvel may have to "sweeten the pot to reward the movie's star." Oh, they'll sweeten ... or else millions of fans will look to bring on a world of hurt.

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Filed under: Celebrities and Controversy, Fandom, Distribution, Newsstand

Man, this news truly bums me out. Variety reports that Picturehouse and Warner Independent Pictures are shutting down. It's not like this is shocking news; ever since New Line folded, it was all pretty much a given that both Picturehouse and Warner Independent would either close or merge in some way -- but it still stings for those who, like me, were big fans. In a statement, Warner Bros. president and COO Alan Horn claims this move won't stop the studio from taking more chances on young, indie voices. He says, "After much painstaking analysis, this was a difficult decision to make, but it reflects the reality of a changing marketplace and our need to prudently run our businesses with increased efficiencies. We're confident that the spirit of independent filmmaking and the opportunity to find and give a voice to new talent will continue to have a presence at Warner Bros."

On a personal note, Cinematical has worked with folks from both Picturehouse and Warner Independent Pictures, and have always found them to be wonderful people who truly care about spreading these little indie films as far and wide as they can. Here's hoping that love, that heart and that passion will not disappear. We wish all those involved good luck in their future endeavors.

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Filed under: Casting, Celebrities and Controversy, Newsstand, Images

Continue reading Wow! Josh Brolin Makes a Convincing George W. Bush!

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Filed under: Comedy, Independent, Casting, Deals, New Releases, Cannes, Slamdance, Sony, Distribution, DIY/Filmmaking, Home Entertainment, Movie Marketing

With five nominations, it looks like Superbad will be the star of the 2008 MTV Movie Awards, and its three jubilant male leads -- Michael Cera, Jonah Hill, and Christopher Mintz-Plasse -- deserve the kudos. But one major talent behind the whole affair has stayed relatively anonymous while these young up-and-comers bathe in the spotlight: Director Greg Mottola. The erstwhile independent filmmaker, responsible for some of the best installments of Arrested Developed and Undeclared, launched his career a solid decade before the rise of Judd Apatow with a charming little low budget comedy called The Daytrippers. Starring Stanley Tucci, Hope Davis, Liev Schreiber, Parker Posey and a host of other fantastic character actors, the film follows a wildly dysfunctional family over the course of a single day, as Davis, playing a worrisome housewife, tries to track down her unfaithful husband (Tucci).

Mixing warm humanity with pitch-perfect screwball timing, Daytrippers marked the sort of debut that told you a filmmaker had a big career ahead of him. After a modest premiere at the Slamdance Film Festival, it landed at Cannes, barely got a theatrical release and promptly vanished thereafter. Mottola turned to TV work, and slipped out of the film scene for a good ten years. These days, it's no easy task to track down Daytrippers on DVD -- you can nab second-hand copies on Amazon for decent rates, but not a single retail outlet carries it. Aside from the occasionally airings on cable, the movie has vanished.

Continue reading Sony Hopes to Release Greg Mottola's 'Daytrippers'

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Filed under: Foreign Language, New Releases, Theatrical Reviews, Festival Reports

While Hong Kong filmmakers have a gift for action, they tend to overdo it in the melodrama department, at least when it comes to watching their films through Western eyes. Perhaps the worst Hong Kong film I've seen to date is Jackie Chan's Heart of Dragon (1985), which features Jackie caring for his developmentally disabled brother (played by goofball Sammo Hung, who co-directed). All the heartstring tugging made me want to claw my eyes out. Or take another look at a masterpiece like John Woo's The Killer and you'll see an operatic hugeness to the emotional scenes -- especially between men -- that an American would never even dream, much less dare. These folks have an extremely high tolerance level for sentimentality; it takes an enormous amount before their sap detectors begin going off.

The same goes for action director and one-man HK film industry Johnny To (also known as "Johnnie To Kei-Fung"). To was a fairly minor director during Hong Kong's exciting late 1980s/early 1990s heyday, when imported films began to tantalize American viewers bored with big explosions and Vietnam rescue flicks. His biggest credit was as co-director on the exceptional supernatural superhero movie The Heroic Trio (1992). But after the 1997 handover to China, when most other filmmakers withdrew or abandoned ship, To flourished and eventually became the country's most successful and exciting filmmaker. His action hits included: The Mission (1999), Running Out of Time (1999), Help!!! (2000), Fulltime Killer (2001), Running Out of Time 2 (2003), Running on Karma (2003), Breaking News (2004), Election (2005), Triad Election (2006) and Exiled (2007), along with some 40 other films.

Continue reading SFIFF Review: Linger

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Filed under: Foreign Language, New Releases, Theatrical Reviews, Festival Reports, Cinematical Indie

With only a handful of films to his credit, Sixth Generation Chinese director Jia Zhang-ke has become one of the world's great master filmmakers, and he has the lack of distribution to prove it. Like many other greats from Orson Welles to Hou Hsiao-hsien, he has struggled to get spectators and his movies together at the same place and the same time. His film Still Life won the Golden Lion at the 2006 Venice Film Festival and promptly sat on the shelf. It received a cautious and limited release in New York earlier this year, but since it never turned up on the West Coast, the San Francisco International Film Festival picked it up as an entry in the 51st fest (after failing to secure it for their 50th), and it opens at the end of this week at the Roxie Cinema. It's by far the best film I've seen in this year's fest, and it probably would have been the best of last year too.

Continue reading SFIFF Review: Still Life

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Filed under: Action, Comedy, Drama, Casting, New Releases, Celebrities and Controversy, Images

Catching an afternoon screening of Iron Man last weekend, the questionably denigrating representations of Afghani villains bugged me less than the bizarre cultural references in the trailers preceding it -- especially when it came to accents. Three previews in a row contained characters speaking intentionally mangled English, a fact all the more recognizable because all of them were played by well-known actors. You Don't Mess With Zohan showed Adam Sandler as a tough Israeli hair stylist. The Love Guru preview found Mike Myers blabbering on with South Asian inflections. Rounding things out in perhaps the most innocuous case, Cate Blanchett popped up as a Communist baddie in Indiana Jones and the Kingdom of the Crystal Skull. Are these gross caricatures or fair play?

We've touched on this issue before, but it looks like each month the trend gets a little stronger. There's edgy and there's a line: Borat may or may not send the wrong message, but the character's faux Kazakh accent tells you a lot about the way Americans tend to judge foreigners on the basis of their less-than-perfect English. The specific nature of the satire gives Cohen's performance an underlying purpose -- unlike, say, Love Guru, which seems more like a chance to ignorantly marvel at Myers' ability to turn Indians into a continuous punchline. Recently, a few Hindu groups launched protests against the film. This could mark uncharted terrain for Myers, who did not, as far as I know, get lambasted by any hippies after the first Austin Powers.

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Filed under: Action, Comedy, Box Office, Box Office Predictions

I new I was being a little conservative on my $62 million prediction for Iron Man, but HOLY JEEZ! The comic book adaptation had the tenth highest opening weekend in history, and the second biggest for a non-sequel. In addition to the $98.6 million Marvel's armored avenger made domestically, he also pulled in $96.8 million overseas, putting the $140 million budgeted film comfortably into the black. Last week's other newbie Made of Honor took second with a comparatively reserved but still respectable $14.7 million. Here's the rundown:

1. Iron Man: $98.6 million
2. Made of Honor: $14.7 million
3. Baby Mama: $10 million
4. Harold and Kumar Escape from Guantanamo Bay: $6.1 million
5. Forgetting Sarah Marshall: $6 million

Again, just two new ones this week:

Speed Racer
What's It All About: Andy and Larry Wachowski, the team behind the Matrix trilogy, adapt the classic 60's anime Speed Racer using a visual style reminiscent of Japanese animation melded with a modern video game aesthetic.
Why It Might Do Well: The trailer was amazing, and Cinematical's own James Rocchi describes the film as "a blast of pure pop family fun" in his review, which you can read right here.
Why It Might Not Do Well: The 40% rating on Rottentomatoes.com suggests this one may have trouble knocking Iron Man out of first place.
Number of Theaters: