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The famed West Coast record store presents live, in-store versions of four songs from 2006's best rock record, Return to Cookie Mountain.
Eight years after
the last Super Roots EP, Eye, Yoshimi, ATR, and Yojiro deliver SR9,
diving headfirst into an ocean of drums, voices, and cycles upon cycles
of subtle rhythmic variation.
Oakland post-hardcore band works with intricate structures, jazzy stop-starts, and dramatic crescendos on its latest record.
The man behind 2004's demented Bush
Meat returns with another surreal take on Britrap, getting assistance here from Swiss electronic improv duo Stade.
Philadelphia pop collaborative's fourth album is a Beatles tribute filled to the brim with aching guitars and a few gritty blues renditions.
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Featuring the slickest production of any Bright Eyes album to date, Cassadaga is a logical continuation of Conor Oberst's country-rock evolution.
Minneapolis MC continues to explore his inner landscape with tales of personal disillusionment, righteous political anger, and emotional calamity.
Prolific Akron Familyman Seth Olinsky recorded this 3xCD set in late 2004 and early 2005 as a limited CD-R, eventually consenting to have it remixed and given a proper release.
Dublin boy/girl quintet alternates chunky guitar pop with
shrill electro-punk while lyrics focus on playful sexuality.
Seattle-based singer-songwriter releases a tepid fourth album of personal narratives about love, death, and displacement.
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With the Bad Seeds on the sidelines, Cave grows a mustache, straps on a guitar, and gets down with his bad self, featuring a handful of Seeds helping out and more than a few helpings of dumb Stooges-styled flophouse fun.
The third and best album from the North Carolina husband/wife duo is an unexpected turn toward new romantic synthpop, a fitting pallette for a collection of darkly romantic songs about love, betrayal, and loss.
Th German techno producer behind 2005's outstanding Kreucht & Fleucht mix pits nature against itself on this collection of 12" singles.
Ari Picker (the Never)'s first release as Lost in
the Trees is ambitious and orchestral, and it has the feel of a
suite because of the way he builds his songs from contrasting sections and maintains a consistent sonic themes across the breadth of the record.
Debut solo album includes production from fellow Antipop Consortium alum
Earl Blaize and a brief cameo from TV on the Radio.
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